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Rights and Images Coordinator (Part-time) Back to top
Salary: £23,720 p.a. (£14,232 for 3 days a week)
The Rights and Images Coordinator will assist the team in SME in exceeding Commercial targets for the Museum from commercial activities. It supports all the image requirements across SME including marketing and product photography for e-commerce, as well as supporting image research for product development.
The role will facilitate the processing of commercial and other image requests and will also include re-sizing, cropping, and cutting out images using InDesign or similar software. This will be an excellent opportunity for someone looking for a flexible role to gain experience in how image libraries operate and gain relevant administration experience.
This role would suit someone who is reliable, creative and flexible. You should have a keen interest in Museum collections and the ways in which they can be used in the wider world both academically, artistically, and commercially.
Please see the attached role profile for a more detailed job description and person specification.
To apply: please email your CV to recruitment@soane.org.uk with a covering letter detailing how your skills and experience meet the person specification and include the details of two referees.
Closing date for applications: Wednesday 24 May 2023.
Interviews: Thursday 8 June 2023.
Sir John Soane’s Museum is an equal opportunities employer committed to equality, diversity and inclusion and welcomes applications from all backgrounds
1st story Back to top
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed et finibus nunc. Vivamus volutpat, sapien a placerat fermentum, augue ipsum sollicitudin ipsum, tincidunt venenatis nisi lacus a est. Donec scelerisque mi eget faucibus fermentum. Quisque tristique egestas feugiat. In sodales ipsum nisl, eu malesuada arcu laoreet sed. Morbi id semper turpis, at tincidunt ipsum. Ut volutpat orci enim, nec consectetur ligula maximus eu.
2nd story Back to top
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed et finibus nunc. Vivamus volutpat, sapien a placerat fermentum, augue ipsum sollicitudin ipsum, tincidunt venenatis nisi lacus a est. Donec scelerisque mi eget faucibus fermentum. Quisque tristique egestas feugiat. In sodales ipsum nisl, eu malesuada arcu laoreet sed. Morbi id semper turpis, at tincidunt ipsum. Ut volutpat orci enim, nec consectetur ligula maximus eu.
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed et finibus nunc. Vivamus volutpat, sapien a placerat fermentum, augue ipsum sollicitudin ipsum, tincidunt venenatis nisi lacus a est. Donec scelerisque mi eget faucibus fermentum. Quisque tristique egestas feugiat. In sodales ipsum nisl, eu malesuada arcu laoreet sed. Morbi id semper turpis, at tincidunt ipsum. Ut volutpat orci enim, nec consectetur ligula maximus eu.
Quill Pen
Quill pen
In Soane’s time, some pens were made from feathers, also called quills. The best quills come from geese; the feathers used are those from the leading edge of the wings. They were sometimes dried and hardened in hot sand and they were shaped with a sharp knife – a pen knife – to form a nib. This could be fine or broad as required.
Metal pens were also starting to be used in Soane’s time and would be used for finer work. Soane’s Tyringham Gateway sketch was probably made with a quill pen like this one.
The Upper Drawing Office
The Upper Drawing Office Vol. 82/33
This drawing, made in 1825, shows a section through the back part of the Museum where Soane’s pupils worked. The areas left white show the Upper Drawing Office, and the office door they used (see also The Little Study). The Office is supported on columns above the area known as the Colonnade which connects the Dome, where you can look down to the sarcophagus, with the Museum Corridor from where the staircase leads to the Office. Light came down in the Office from two skylights above the benches and the walls were hung with plaster casts to instruct and inspire the pupils.
Canaletto’s views of Venice Back to top
Antonio Canaletto (1697 - 1768), Riva degli schiavoni, Venice, c.1734-35, Oil on canvas
Soane purchased three paintings by Canaletto, including the Riva degli Schiavoni, one of the Italian painter’s greatest works, which hangs opposite the doorway to the Picture Room. Depicting an almost photographically-rendered view of the famous promenade in Venice, with the Salute, San Giorgio and San Marco visible in the distance, the painting also gives a snapshot of life in the city, with a myriad of ships moored in the lagoon and figures from all walks of life depicted in immaculate detail. Two further Canalettos, a view of the Rialto Bridge, and a view of the Piazza San Marco, flank the painting on either side.
test chapter 55 Back to top
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed et finibus nunc. Vivamus volutpat, sapien a placerat fermentum, augue ipsum sollicitudin ipsum, tincidunt venenatis nisi lacus a est. Donec scelerisque mi eget faucibus fermentum. Quisque tristique egestas feugiat. In sodales ipsum nisl, eu malesuada arcu laoreet sed. Morbi id semper turpis, at tincidunt ipsum. Ut volutpat orci enim, nec consectetur ligula maximus eu.
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this is the test chapter
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed et finibus nunc. Vivamus volutpat, sapien a placerat fermentum, augue ipsum sollicitudin ipsum, tincidunt venenatis nisi lacus a est. Donec scelerisque mi eget faucibus fermentum. Quisque tristique egestas feugiat. In sodales ipsum nisl, eu malesuada arcu laoreet sed. Morbi id semper turpis, at tincidunt ipsum. Ut volutpat orci enim, nec consectetur ligula maximus eu.
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test downlaod
test chapter 2 title Back to top
test body chapter 2
test lower text test
test downloads
test collection title Back to top
test body
test chapter titlte Back to top
test body
test lower
test download
test collection title Back to top
test body
Chapters / Collections title Back to top
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